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Produced by Natan Schottenfels Directed, Shot & Edited by Vania Heymann Starring, Music & Written by Daniel Koren Walking Contestant: Bertho Jacinthe Assistant Director: Evyatar Gour Additional Cinematography: Roy Kafri Driver: Claudio Marquez Featuring: Daniela Moura, Jonathan Levy, Or Zubalsky, Liana Nigri, Gon Ben Ari, Dan Farkas, Preston Lawrence, Austin Beer (Shot on Sony FS700 and Canon 5d mark iii)
Jindal Shadeed | FIFA 2022 | The Steel of Oman
The steel of Oman resides in every Omani. It’s the spirit that never dies. On the field. On the streets. With every dribble. With every shot. In football. In life. It lives on. This is a celebration of the spirit of Oman. And of the spirit of football. #TheSteelOfOman #FIFA2022 #NewWork ------ Production House: EarlyMan Film Director: Ayappa Creative Team: Santosh Padhi, Amrish Kondurkar, Sunayna S, Ruchika Khanna, Anirban Sengupta, Muskaan Jain, Ishita Sharma Planning Team: Divyanshu Bhadoria Account Management: Bhawna Vohra, Snigdha Jha, Achintya Trivedi ------ Connect with us Facebook: https://www.facebook.com/wk.indiaa/ Twitter: https://twitter.com/WK__India Instagram: https://www.instagram.com/w.k.india/ LinkedIn: https://www.linkedin.com/company/wk-india/
IKEA - The Hare
Ever wondered how that pesky tortoise beat the hare? Now you know it was all thanks to an IKEA mattress. A modern take on the classic 'Hare and the Tortoise' fable. Check out the BTS here: https://vimeo.com/456451282 2021 - TELEVISUAL - NO.6 BEST COMMERCIALS OF THE YEAR 2021 - CREATIVE CIRCLE - BRONZE, VFX 2021 - CANNES LIONS - Nomination - Film Craft, Direction 2020 - APA SHOWCASE - TOP 20 COMMERCIALS CAST HARE - Kat Boyce TORTOISE - Robert Tygner FRIENDS - Amy Bullock, George Edwards, Micah Hennessey, William Bassoumba CREW AGENCY - Mother CDs - Thom Whitaker & Danielle Outhwaite-Noel CREATIVES - Oli Rimoldi & Anthony Montagne AGENCY PRODUCER - Jenny Fan MOTHER - Lou De Keyzer AGENCY PA - Ellie Thornton MD - James Sorton PRODUCER - Chris Harrison PM - Ben Burdock Production Coordinator - Rosie Marchant PA - Ellie Sanders Wright DOP - Stephane Fontaine Focus - Joe Wright Production Design - Andy Kelly Art Director - Ashley Dando Set Decorator - Cassia Dickinson Props - Jason Bradley CREATURE FX - Robert Allsopp COSTUME DESIGNER - Natalie Humphries COSTUME ASSISTANT - Tamsin Flower MAKE UP - Lu Hinton GAFFER - Steve Finberg GRIP - Adrian McCarthy ELECTRIC - Dan Fontaine RIGGER - Chris Gough CRANE - Louma CRANE TECH - Adam Samuelson DRONE - Ben Platts & Steve Quan @Flying Camera Company LOCATIONS - Al Vlok VFX - 1920 VFX Supervisor - Ludo Fealey HEAD OF 3D - Chris King COLOUR - Kai Van DeBeers Choroegorapher- Peter Elliott 1st AD - Julian Richards 2nd AD - Caspar Campbell DIT - Vlad Martins PLAYBACK - Robert Toft SOUND RECORDIST - Quillon Larratt STUDIO - Black Island Runners - Sasha Webster, Sam Barnham, Sammy Lee, Joe Mulvihill, Rosie Owen EDIT - Paul Hardcastle @TRIM SOUND DESIGN - Sam Ashwell @750mph MUSIC - Roots Manuva ‘Witness The Fitness'
Hedvig - Insurance You Long to Use
Directors: Matias & Mathias Production Company: Bacon Executive Producer: Samuel Cantor Producer: Jakob Berlin DOP: Andreas Bjørseth Client & Agency: Hedvig Creative Department Agency Producer: Pia Dueholm Production Manager: Alice Andersson Coordinator on Set: Erik Amberntsson FAD: Marcus Celikel Focus Puller: Stickan Olsson Loader: Hugo Otto-Vallin Tech Asst.: Robin Falck Lovén Electrician: Viktor Wallin Electrician: Gustav Sandegård Sound Technician: Jonas Goldman Production Designer: Matilda Beckman Props Master: Maria Chifflet Standby Props: Micke Wirtberg Props Asst.: Zana Johansson Stylist: Selam Fessahaye Stylist Asst.: Stella Pudeck Hair & Makeup: Stella Pudeck Production Asst.: Nico O' Konor Production Asst.: Ida Berlin Location Manager: Filip Aston Post Producer: Eli Mari Sandal Editor: Carla Luffe Colorist: Julien Alary Sound Designer: Andreas Waag Martinsen Music Supervisor: Thore Garberg
Nexus Studios - It's A Messy Business, directed by Laurie Rowan
Client: shots Awards Production: NEXUS STUDIOS Written & Directed by: Laurie Rowan Producer: Rebecca Archer Executive Producer: Judy Hill CG Lead: Andy Spence 3D/2D Generalist; Mark Davies Character Designer: Laurie Rowan Design: Hugo Beaurepere CG Modelling & Texture: Andy Spence & Jonathan Vuillemin Storyboards: Laurie Rowan Rigger: Niko Rossi 3D Animator: Edwin Leeds 2D Animator: Christina Nerland CG Lighting: Andy Spence Compositors: Dalvir Matharu & Luke Hardisty SOUND & MUSIC Studio: Brains & Hunch Sound Design: Ieva Vaiti Music: Tom Haines Producer: Becca Laurence Voice Artists: Sean McLoughlin & Alexa Joyal
When you miss something enough you do actually start to see it everywhere! This wonderful truth is beautifully celebrated in our latest film for Guinness, directed by Chris Balmond, and created by our friends at AMV BBDO. Guinness have helped the hospitality industry all throughout lockdown and we cannot wait to be back celebrating life, every day, everywhere with a pint! Be sure to post a pic with your Guinness with the #lookslikeguinness so we can follow this journey all together. #weareoutsiderldn #production #lookslikeguinness Client: Guinness Title: "Welcome Back" Agency: AMV BBDO Executive Creative Directors: Nadja Lossgott & Nicholas Hulley, Creatives: Jack Watts & James Cambridge TV Producer: Polly Lowles Production Company: Outsider Director: Chris Balmond Producer: Paul McPadden DOP: Eoin Mcloughlin Edit: Suzy Davis @ Final Cut Post Production: JAMVFX Sound: James Radford @ Radford Music
McDonald's: Juliette the Doll
Credits: https://goo.gl/giHNKc Join Us: Facebook: https://www.facebook.com/aobpage/ Twitter: https://twitter.com/adsofbrands Pinterest: https://www.pinterest.com/adsofbrands/ Instagram: https://www.instagram.com/adsofbrands/ Linkedin: https://www.linkedin.com/company/adsofbrands/
Cannes Lion Award-Winning "Three Little Pigs advert"
Cannes Lion Award-Winning "Three Little Pigs advert". This advert for the Guardian's open journalism, screened for the first time on 29 February 2012, imagines how we might cover the story of the three little pigs in print and online. Follow the story from the paper's front page headline, through a social media discussion and