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ANIMATION & VFX

2d

2D

Dumb Ways to Die PSA | Hand-picked by Good Ads Matter
03:02

Dumb Ways to Die PSA | Hand-picked by Good Ads Matter

@goodadsmatter is an online repository of the best ads from across the world, hand-picked and curated by @purpose.studios Instagram: https://www.instagram.com/goodadsmatter/ Linkedin: https://www.linkedin.com/company/good... Facebook: https://www.facebook.com/goodadsmatter Website: https://www.goodadsmatter.com/ Contact us: contact@purpose.org.in https://www.purposestudios.in/ Bringing to you a blast from the past! Launched in November of 2012 (yes, it has been 11 years already), the Dumb Ways to Die PSA took over the internet by storm! Even today, we find ourselves humming the title track every once in a while, don’t we? 👀 The campaign went on to become not only the most shared PSA of all time but also the most awarded campaign in the history of Cannes, with 28 Lions, including 5 Grands Prix! Hey, are we really surprised? Who would have thought a public safety PSA could come to us in the form of the most endearing 2D animation and the catchiest of tunes! A decade later, and here we are, kids and adults alike, still getting excited about the campaign. Country: Australia Year: 2012 Organisation: Metro Trains Melbourne Agency & Production Company: McCann Erickson (@mccann_australia) Executive Creative Director/Copywriter: John Mescall (@johnmescall) Art Director: Patrick Baron Animation: Julian Frost Producer: Cinnamon Darvall Music: Ollie McGill (@olliemcgill) at The Cat Empire (@thecatempire) Account Manager: Tamara Broman Account Director: Alec Hussain Group Account Director: Adrian Mills Brand Manager: Leah Waymark Marketing Manager: Chloe Alsop Visit Good Ads Matter on www.goodadsmatter.com to check out all of our 3,000+ curated ads across various categories! Push the bell icon to never miss your daily creative inspiration! This video is under Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit go directly to its rightful owners. No copyright infringement intended.
The Last Mile
01:30

The Last Mile

Director: � Fx Goby @fxgoby Company: Nexus Studios @nexusstories Agency: Johannes Leonardo Chief Creative Officer: Jan Jacobs Chief Creative Officer: Leo Premutico Executive Creative Director: Jimm Lasser CD/Art Director: Laura Longstaff @losoz Art Director: Chris Luu Copywriter: Brandon Holliday Group Executive Producer: Benton Roman Executive Producer: Rebecca O’Neill Production � Executive Creative Director: Chris O’Reilly @oreilly_pics Executive Producer: Juliet Tierney Senior Producer: Cindy Burnay Line Producer: Rebecca Archer @bec_archer Production Assistants: Hannah McCarthy, Beatriz Honório Art Director: ��Manshen Lo @manshenlo Project Leads: � Michal Firkowski @m__ii__w Dylan White Design � Fanny Hagdahl Sörebo @fanandrasombrero Pierre Rougemont @rougemontpierre Signe Cold @signecold Storyboards ⚡️Louis Kynd @louiskynd 3D Antonin Derory Lea Arachtingi Animation Lead: Diego Porral @diego_porral Animation� Alex Bernas @alexanderbernas Alex Potts @_alexpotts_ Alex Dray @alexdray Emma Wakely @emmawakley Flora Caulton @floramus Guillaume Pochez @guimauvep Iris Abols @irisabols Nelly Michenaud @nellymichenaud Sim Marriott Compositing ✨ Bethany Levy @bethany_levy Dylan White Elliot Kajdan @_elio_ Leo Bubani @leo_bubani Paul Rice Live Action Uruguay Service Company: La Productora @laproductorafilms Executive Producer: James Lloyd Line Producer: Diego Gregorio Director Of Photography: �Fernando Lorenzale @ferlorenzale Assistant Director: �Carlos Hoffman Casting� Carlos Pedro Ferres Pacheco @ferrespacheco Juan Manuel Outeiro @juanmaouteiro Dayana Bermudez @bermudezcortes_ Mariano Ulanovsky Talamo @mariano.ula Franco Grimaldi @francogrimaldi Art Director: �Cecilia Guerriero @celiiita Costume Stylist: �Mercedes Kicelian @merkicelian Editor: � Pablo Riera @pablu_riera Post Production Editorial: Nexus Studios Thomas Heleta @thelittleonions Dave Slade @dslade Joe Eckworth Music: Human Music & Sound Design Arrangement of “Let It Be”: Justin Hori Creative Lead: Justin Hori and Andrew Bloch Executive Producer: James Dean Wells Choir: Pro Musica Youth Chorus
Pandora - The Great Indoors
00:31

3D

3d
Rajasthan Tourism Logo Reveal
00:50

Rajasthan Tourism Logo Reveal

Conceptualisation & Direction: Suresh Eriyat Producer: Nilima Eriyat Production House: Studio Eeksaurus DoP: Srinivas Reddy Music: Sameer Uddin & Rajat Dholakia Singer: Rajnigandha Shekhawat Voice effects: Ananya Eriyat Colorist - Navin Shetty Sound Engineer - Arun Castro Agency Credits Creative Agency: Ogilvy, Mumbai Executive Chairman and Creative Director Ogilvy South Asia: Piyush Pandey Rajasthan Tourism Logo Design: Mahesh Gharat Group Creative Directors - Mahesh Gharat, Azazul Haque Creative controller - Hemal Sirsikar Client Servicing Senior Vice President - Vivek Verma Group Account Manager - Pooja Jaggi Team Studio Eeksaurus Project Lead - Rajib Mandal Associate Director - Bargav Sridhar Editor - Tintu K Philip Visual Design - Rajib Mandal & Ranjit Mandal Layout Design - Ranjit Mandal & Rajib Mandal Research - Rajib Mandal, Ranjit Mandal, Bargav Sridhar Sand Animation Lead animator: Dhimant Vyas (Tata Interactive Systems Ltd.) Animator: Rajib Mandal (Studio Eeksaurus) Tata Interactive Systems Team Lead: Manisha Mohan Project management ( TIS ): Reena Shah Pre- production Rajib Mandal, Ranjit Mandal, Bargav Sridhar, Dhimant Vyas, Sanjay Patkar, Sailesh Chindarkar , Ramesh Jadhav, Rishy Benjamin Jacob 2D Animation - Rajib Mandal Clay modeling & sculpting - Sanjay Patkar, Sailesh Chindarkar, Ramesh Jadhav, Rishy Benjamin Jacob, Aditya Raje, Keyur Patel, Moshin Hakim Clean Up - Sanjay Patkar, Sailesh Chindarkar , Ramesh Jadhav, Rishy Benjamin Jacob, Rajib Mandal Visual Effects Nilesh Dhore, Debojyoti Roy Chowdary, Anik Roy, Vijay Rana Compositing - Nilesh Dhore, Mohammed Azeem Production Coordination - Divya Sangle, Bargav Sridhar Post production coordinator - Jivan Gaikwad Production support - Uttam Jethihore, Sachin Mokal, Prashanth Kamble, Sushma Malkar
Run Forever
03:00
NABS: This Job Will Break You
02:47

NABS: This Job Will Break You

Don’t work too late, or you just might start hallucinating a singing and dancing cracker…  Tantrum was delighted to partner with Cossette Canada and Director Edward Andrews of Skin and Bones to create Crumbles, the loveable (and sometimes foul-mouthed) cracker who is devoted to the importance of mental health in the advertising industry. “This Job Will Break You” is a project for NABS Canada, a unique charity specifically designed to support the health and well-being of all individuals in the media, marketing, and communications industry in Canada.  October 10, World Mental Health Day 2021 CREDITS: Animation & Online: Tantrum Studio Creative Director: Dominik Bochenski Animator: Sean McLaughlin Look Dev/Lighting: Dominik Wojtarowicz  3D Artist: Rogerio Miyagi Compositors: Davide Di Santo, Dexter Huizenga  Modeller: Bill Davidson Character Design: Gina Romo  Senior Colourist: Dominik Bochenski On Set VFX Supervisor: Dan Ciancone  Producer: Margarita Reynes  Executive Producer: Victoria Holt Production Co: Skin & Bones  Director: Edward Andrews  Executive Producer: Liane Thomas  Line Producer: Joan Bell Director of Photography: Barry Parrell Casting: Jigsaw Casting Casting Director: Shasta Lutz  Offline Edit: Outsider Editorial  Editor: Chris Murphy  Executive Producer: Kristina Anzlinger  Producer: Kayan Choi  Assistant Editor: Nathan Olszewicki  Audio House: Pirate  Music Director: Chris Tait  Producer: Joanne Uyeyama  Composer: Ari Posner Engineer: Ian Boddy   Agency: Cossette  Chief Creative Officer: Peter Ignazi Executive Creative Directors: Craig McIntosh, Jaimes Zentil Creative Directors: Nicole Ellerton, Jacob Greer  Producer: Sarah Moen  Senior Strategy Director: Geraldine Tixier Group Business Director: Asmait Hailu SVP, General Manager: Kathy McGuire Client: NABS  Executive Director: Jay Bertram Marketing Chair, Board of Directors: Kate Torrance  Director, Central: Mark Neves  www.nabs.org

Motion Design

motion

Others

vfx
BBC Sounds To Be Moved
01:00
A Future Begins
02:23

A Future Begins

A stop-motion animated film about farming commissioned by Chipotle Mexican Grill  Watch the prequel – ‘Back to the Start’ from 10 years before: https://vimeo.com/28355660 -- Behind the Scenes: https://vimeo.com/646867873 Lots more info: https://farmers.chipotle.com/behind-the-film.html -- Film credits: Client: Chipotle Mexican Grill  CMO: Chris Brandt VP, Brand Marketing: Stephanie Perdue Sr. Director, Brand Marketing: Michael Kotick  Creative Director: Shelley Sheppard   Sr. Manager, Art Director: Bianca Pettinicchi Agency: Observatory  Production Company: Nexus Studios Director: Johnny Kelly Senior Producer: Isobel Conroy Production Manager: Nicole Lopez Production Assistant: Delfina Maria Art Director: Melanie Climent Storyboards: Johnny Kelly 3D Previs: Mark Davies, Steve White 3D Previs Modeller: Fabien Glasse Studio Technical Lead: Mark Davies Lead Compositor: Germán Diez Compositors: Osman Baloglu, Dalvir Matharu, Gareth Tredrea Grade: Duncan Russell DOP: Toby Howell 1st AD: Robert Thorpe Moco Operator: James Gillett Camera Assistant : Max Halstead Gaffer: Aldo Camilleri Best Boy: Genki McClure Lead Animators: Gary Cureton, Matthew Cooper Additional Animator: Tobias Fouracre Animation assistant: Ieuan Lewis Animation Rigger: Robin Jackson Puppet Makers: Joshua Flynn, Nathan Flynn @ Sculpt Double  Puppet Model Makers: Laura Tofarides, Rachel Brown @ Sculpt Double Art Director: Gordon Allen Assistant Art Director: Jasmine Nixon  Sculptor and Scenic painter: Araba Ocran  Modelmakers: Areeya Bass, Connor Chung Laser cut prep: Collette Pidgeon  Laser cutting: Ewen Dickie  Standby Art dept/ Set Dressing: Rosie Tonkin, Brin Frost Stage Construction: Ben Côté  Scenic and props painter: Richard Davidson Studio Manager: Daisy Garside BTS Cameraman: Thomas Heleta BTS Editor: Dave Slade Covid Officer / Medic: Paul Mortimer Team Sustenance / Cleaner: Valerie  Catering: Konrad’s Kitchen Music: Kacey Musgraves  Music Production: Ian Fitchuk Daniel Tashian Kacey Musgraves Additional Production: The Elements Music Recording and mix: Craig Alvin Additional Mix: Source Sound Inc & The Elements Music   Sound Design: Fonic Sound Supervisor: Barnaby Templer Sound Designer and Dubbing Mixer: Christopher Swaine Foley Recordist: Rory Hunter Foley Artist: Sue Harding Sound Assistant: Ryan Kelly Audio Post Production Coordinator: Eugénie Dunster Published by Universal Music – MGB Songs on behalf of Universal Music Publishing MGB Limited (ASCAP) Written by Chris Martin Written by Guy Berryman Written by Will Champion Written by Jonathan Buckland Published By: Universal Music – MGB Songs Produced by Kacey Musgraves Produced by Ian Fitchuk Produced by Daniel Tashian Mixed by Craig Alvin Vocals: Kacey Musgraves Drums: Ian Fitchuk Keyboards: Ian Fitchuk Acoustic Guitar: Todd Lombardo Programming: Daniel Tashian Production Coordinator: Kristen Clark Engineered by Craig Alvin Additional Engineer: Josh Moore Engineered by Zack Pancoast Mastering Engineer: Greg Calbi Mastering Engineer: Steve Fallone Background Vocals: Daniel Tashian Guitar: Daniel Tashian Keyboards: Daniel Tashian Programming: Ian Fitchuk Cello: Nathaniel Smith, Vincent Pedulla Drums, Guitar, Mandolin, Pedal Steel, Piano, Ukulele, Violin: Vincent Pedulla
Bodyform: #wombstories
03:19

Bodyform: #wombstories

Our #wombstories are never simple. But all of them – the weird and the wonderful; the happy and the sad – need to be heard. Trigger warning: images of needles and portrayal of baby loss. Learn more: https://www.bodyform.co.uk/wombstories. We tell girls a simple story: Get your period around twelve. Repeat every twenty-eight days. Deal with some pain. Have some babies. Then more periods. And then around fifty, your body is meant to politely retire. But it’s never that simple. And when we pretend that it is, we make every other experience feels less normal, less valid, less real. Women's confidence and wellbeing suffer. Pain goes undiagnosed. Shame and embarrassment build. The silence about our bodies and experiences goes on. Now more than ever, we need to tell all the unseen, unspoken stories of our periods, vulvas and wombs – our #wombstories - because none of them have gone away. They are real stories of love and hate, Of pleasure and pain and pain so severe it’s a disease with a name, endometriosis, It’s stories of longing and trying for babies. And of never wanting children. Ever. The joy of birth. The pain of birth. And the silent devastation of miscarriage. Stories of clockwork periods. And haywire ones. Of awkward beginnings and roller-coaster peri-menopausal endings. Good stories. Bad stories. Mundane ones. Profound ones. The bitter. And the sweet. All our #wombstories need to be heard. To know each other. To help each other. To see each other. Thank you to all the women who shared their #wombstories with us and made this film possible. Learn more: https://www.bodyform.co.uk/wombstories 🎥 Directed by: @nisha.ganatra (on Instagram) 🎨 Artist contributors (on Instagram): @laurajaneyh, @carinekhalife, @sallalehmus, @kateisobelscott, @oook_bai, @stopmotionroos, @headexplodie, @nellaphnt, @mollygracelawton, @aylinohri, @__mephoto, @georgiewileman, @_mephoto 🎶 Artist: Pumarosa - Priestess (Shura Remix)
Screenshot 2022-12-04 021225_edited.jpg

From BBC to Chipotle, multinational organisations use animation and VFX to convey and pitch what humans cannot. In this repository, we have hand-picked the best of these advertisements and campaigns from across the globe! This list is updated regularly to keep you updated with the latest trends.

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